All illustrated with woodcuts by Fritz Kredel, Nos. 1 and 2 hand-colored. No. 2, 3, and 4 printed in red and black. 1. DOKTOR FAUST: DAS ALTE PUPPENSPIEL. Frankfurt am Main: Der Golden Brunnen, 1950. 51p. Bound in paper-covered boards with repeating Kredel figures in two shades of green. 2..... More
Cambridge: Privately Printed, 1957. Limited to 500 copies. viii, 16p, 11 leaves of plates, 39-50p. (ii). Edited with a supplement by Alan Fern. Illustrated with Eragny Press woodcut logo device on title page, wood engraving by Gilbert Polliot and the prints on the 11 leaves from the originals, all but..... More
Ditchling: St. Dominic's Press, 1932. Limited to 200 copies - this copy not numbered. Twelve leaves.7 1/2 X 5". Printed in red and black on heavy hand-made paper and string tied to a board backing, the cover with blue paper cover printed in black and red with a wood-engravings of..... More
Oakland: Okeanos Press, 1989. No. 40 of 200 copies signed by Stephen Mitchell. Slim quarto. vii (ii), 68p, colophon. Printed in German and English enface. Bound in full blue cloth with paper labels on spine and upper cover. More
Lexington, KY: The Anvil Press, (1986). No. 19 of 100 copies. Quarto. 10, (ii), 51p, colophon. Illustrated plates not included in the pagination. Printed throughout in red and black in Victor Hammer's American & Andromaque uncial types, the tableaux printed at the Windell Press. Foreword by Desmond Flower. Bound in..... More
Ditchling: Saint Dominic's Press, 1929. Variant Issue limited to 500 copies on machine paper. Folio. (viii), 41p, colophon. Illustrated with wood engravings cut by Philip Hagreen. Bound in quarter black cloth over gray boards with paper cover title label. More
East Aurora New York: The Roycrofters, 1898. No. 449 of 720 copies. 142p. colophon. Printed in red and black on handmade Kelmscott paper. Bound in quarter tan suede over green boards with gilt-title on the cover and on a leather spine label. McKenna. Roycroft Bibliography no. 25. More
London: The Primrose Academy, (1995). No. 17 of 135 copies signed by the artist and the author of the Introduction. Tall 8vo. (xiv) with 24 excellent wood engravings by Anatolii Ivanovich Kalashnikov, on the rectos of single sheets, 2 in color. Introduction by W. E. Butler. Printed on Zerkall mould-made..... More
London: The Cresset Press, 1928. Limited to 195 copies (copy no167) on Batchelor's Kelmscott hand-made paper. Two volumes. Folio. (viii), 174p, colophon; (viii), 162p, colophon. Illustrated with ten brilliant wood engravings by Blair Hughes-Stanton (6) and Gertrude Hermes (4). Bound by Sangorski & Sutcliffe in black dyed vellum with titles..... More
San Francisco: The Windsor Press, 1927. No. 70 of 200 copies. Unpaged. 38p. Beautifully printed by the Brothers Johnson in black, blue and red. Illustrated by Julian A. Links with two large hand-colored blocks. Bound in yapped vellum with gilt fleur-de-lis on upper cover. More
[Stockholm]: Midnight Paper Sales, 1997. No. 52 of 120 copies signed by author and illustrator. 167mm. (iv) 17p. (ii)Illustrated by Gaylord Schanilec with four color wood engravings. Bound in quarter black cloth over marbled boards, paper spine label. Hand-set, printed and bound by Ruth Raich and Schanilec. Cloth slipcase. Quarter..... More
London: 1922. No. 51 of 95 copies. Octavo (in size). ix (i), 30p, colophon. Color portrait frontispiece. Small blue ornaments separate the quatrains. Printed on Twinrocker handmade paper. Bound in gilt-titled quarter vellum over linen boards with endpapers of repeating patterns of peacock feathers. Housed in blue cloth slipcase. Small..... More
[London]: The Nonesuch Press, 1928. Limited to 1475 copies, this no. 1174. 324p. Illustrated with 42 double-page plates after Sandro Botticelli. 4to. Bound in full orange-dyed vellum, gilt, t.e.g. on the rough. Housed in custom full slipcase of blue silk-covered boards with leather spine label gilt. Text in Italian and..... More
Chelsea: The Ashendene Press, 1921. Limited to 236 copies. Half-sheet octavo. xvi, (iv), 95p (i). Four-page facsimile of the original manuscript of 1496 precedes the text. Printed in Subiaco type with red side-notes, headings and paragraphs, first initial in blue. Bound in full vellum with gilt spine title, and with..... More
Weimar: The Cranach Press, (1927). No. 105 of 225 copies (Nos. 201 to 225 were not for sale). There was also a German edition and a French edition. Folio. 116p. Printed on Maillol-Kessler paper hand-made from pure hemp fibre and linen, and sold by Emery Walker. Eric Gill designed and..... More