London: Thomas M'Lean, 1819. New Edition (first edition with these plates). Two volumes. Illustrated with 12 full-page hand-colored aquatint engravings by J. Clark. 8vo. Bound in brown crushed morocco with gilt spine titles and fancy dentelles, t.e.g. Tooley #141. More

London: Edward Moxon, 1837. xii, 306p. Frontispiece portrait engraved by Finden and 20 proof engravings by Goodall after Turner. Bound by Riviere in full green crushed morocco, a.e.g., the spine densely gilt including central flowers, triple fillets on the covers, fancy dentelles. More

London and New York: John Murray / Scott-Thaw, 1904. First collected edition, English issue. No. 398 of 500 copies signed by the publisher, John Murray. Two volumes. Quarto. ix, 293p; vii, 283p. Beautifully printed in red and black on fine deckle-edge paper by the Chiswick Press. Bound by Bradstreet in..... More

London: Frederick Muller, (1938). First edition. 260p. Illustrated from photographs. Bound by Bumpus in full blue crushed morocco, a.e.g., the spine with gilt titles, the panels with double ruled border, the covers with double ruled borders, the upper cover with central gilt coat of arms. More

New York: Tudor Publishing, [c. 1937]. Two volumes in one. (xix), 408p; (ii), 435p. Edited by Oliver H.G. Leigh. Bound in full blue crushed morocco with marbled endpapers, t.e.g., the spine with brown morocco title label gilt, the panels with curved borders and repeating flower petal devices, the covers with..... More

London: Macmillan and Co., 1884. From the"English Men of Letters" series edited by John Morley. 8vo. viii, 227p. Extra-Illustrated with 40 plates of portraits and scenes, 11 in color. Bound by Bayntun in full green crushed morocco with marbled endpapers, a.e.g., the spine in six panels with gilt titles and..... More

London: Joned and Company, 1824. Printed by Andrew & John M. Duncan, Printers to the University, Glasgow. 32mo. (3 3/4"). xv, 428p. Engraved frontispiece and engraved title-page. Bound in full calf with marbled text block edges, the spine with maroon title label gilt, the panels and large raised bands also..... More

London: Bradbury & Evans, 1852. First edition. xi, 212p., 8p ads. Illustrated. Extra-illustrated with 35 portraits, 8 colored. Bound for Charles W. Sawyer, London by Sangorski & Sutcliffe in full red crushed morocco, t.e.g. in cosway style with a hand-colored oval portrait of Nell Gwyn under glass mounted on the..... More

London: Williams and Norgate, 1887. First edition. Tall 8vo.viii, 298p, (i, errata). Text illustrations and 12 full-page plates drawn by the author, 3 uncolored and 9 "colored from nature" by Miss Florence Woolward in excellent chromolithography by Hanhart. Bound in full green niger morocco with marbled endpapers, t.e.g., spine in..... More

Paris: Librairie Hachette, 1902. Nouvelle Edition Remaniee. Quarto. [iv], iv, 388p. Profusely illustrated, including a chapter on Napoleon's handwriting. Handsomely bound in dark green morocco with marbled sides and endpapers, a.e.g., the spine with gilt titles and Napoleonic panel ornaments, the bands surrounded by gilt rules and with dotted rules..... More

Philadelphia: George Barrie, (1899). Edition printed on Japan vellum, limited to 10 copies, this no. 7. (viii), 379p. Translated by T. F. Rogerson and illustrated with ten sets of etchings in four states each: Japanese vellum, remarque; Japanese etching-paper; papier de Chine, mounted on plate paper; Whatman drawing-paper, finished with..... More

Paris: Editions Rombaldi, [1950's]. Each volume numbered from an unspecified limitation. Five volumes from the collection. Each volume with five "Illustrations Originales En Couleurs" reproduced after the original editions. Uniformly bound in maroon crushed morocco with marbled endpapers, t.e.g., the spines with gilt titles and heart shaped designs in series..... More

London: How & Parsons, 1842. First edition. Two volumes. xxviii, 318p, [ii, ad]; 368p. Engraved frontispiece portrait. The second volume is entirely printed music. Bound in half green morocco with pattern paper sides and endpapers, t.e.g., the spine with gilt titles and music ornaments in the panels. More