London: [Day & Son], [1861]. Folio (17"), (vi), XIII. Illustrated by Owen Jones with 17 full-page chromolithographs. Bound in full pebbled plum cloth over beveled boards, the covers with embossed designs, the upper cover with gilt title and decorations inset and surrounded by ornate gilt frame. This is the precursor..... More
Ausable Forks, NY: Asgaard Press, 1968. Limited to 250 copies Signed by Kent. This copy additionally inscribed to Charles Simon and signed "Sally and Rockwell" 1969. 21p. Illustrated by Rockwell Kent with six text drawings, full-page frontispiece and vignette on half-title. Small 8vo. Gilt-titled brown cloth spine over marbled boards..... More
New York: Duell, Sloan and Pearce, (1940). First edition. [xv], 393p. Illustrated by Kent in the text and with ten full-page plates. Tan cloth with titles and designs in blue. More
Manitowoc, WI: Rahr Malting Company, privately printed by A. Colish, NY. Limited to 500 copies and inscribed for the friends of Mr. Guido Rahr. SIGNED BY ROCKWELL KENT, (1946). Quarto. 59p. Illustrated on every text page by Rockwell Kent. Gilt-titled blue cloth spine over pink paper-covered boards, the upper cover..... More
Surrey, England: Circle Press, (1978). Second Circle Press Edition. Limited to 250 copies, this no. 206 initialed by Ronald King. Elephant folio. xi, 57p, colophon. Illustrated with 14 original full-page screen images by Ronald King, and with a newly produced original screen-print in a separate folder containing a specially written..... More
Guilford, England: Circle Press, 1979. Limited to 300 copies signed by the artist, this no. 182. Portfolio (16") . Three-page essay by Keith Please 'The Elusive Absolute'. Text printed throughout in black and blue with the silk screen or lithographed illustrations beside and interspersed in the text. The opening act..... More
New York: The Quadrangle Press, 1948. First edition. Quarto. 88p. Translated by Eunice Clark. Illustrated throughout from line drawings by Alexander Calder. Title page in red and black. In the publisher's binding of aqua paper-covered boards with spine titles in red and black and a large image of a snake..... More
Paris: Editions Rombaldi, (1943-47). Each volume numbered from limitations ranging from 910 to 990 copies. Eight volumes containing seven titles from the collection. Beuatifully illustrated. Uniformly bound in maroon crushed morocco, t.e.g., the spines with gilt titles and overall stylized crosshatched gilt designs. Original wrappers bound in. Titles: La Varende..... More
New York: Abrams, 1980. First edition. Large, square 4to. Color-illustrated cloth with glassine wrapper with the titles in white. Fully illustrated including color fold-outs and a functioning pop-up. The definitive work on Sendak. More
London: Longmans, Green, and Co., 1893. No. 72 of 150 large paper copies. Quarto. xiv, (ii), 337p. Illustrated by L. Bogle, Lucien Davis, H. J. Ford, C. H. M. Kerr, and Lancelot Speed. Bound by Morrell in half dark green calf with cloth sides and marbled endpapers, t.e.g., the spine..... More
Boston: Boss, 1995. First edition. 129p. Gilt-titled black cloth. Includes index. More
London: J. Rodwell, 1815. "A New Edition, Corrected" (2nd edition). Three volumes. xli [ii], 223p; [iv], 272p; [ii], 304p. Selected and translated by G.L. Way, with preface, notes, and appendix by G. Ellis. Illustrated with woodcuts by Thomas Bewick, 24 large and 25 vignettes. Bound in quarter dark green morocco..... More
London: W. Bulmer and Co., 1796. First edition. xxxvii, (iii), 280p, Selected and translated by G.L. Way, with preface, notes, and glossary [by G. Ellis]. Illustrated with woodcuts by Thomas Bewick. With an accomplished and well-detailed fore-edge painting of a coaching scene. In a contemporary binding of full black morocco..... More
London: J. C. Nimmo and Bain, 1881. Three volumes. lx, (13)-398p; 395p; 407p. Illustrated by R. de Los Rios with 12 original etchings. Translated by Tobias Smollett. Edited by George Saintsbury. Bound by Bayntun (Riviere) in half red crushed morocco with cloth sides and marbled endpapers, t.e.g., the spines with..... More
London: Frederick Warne, (1933). First edition. Tall quarto. 24p. Printed music with Lear's original illustrations and verses. Bound with tan cloth spine and paper-covered boards with illustrated label on upper cover. More
London: Longmans, Green, 1929. First edition thus with the Leighton woodcuts. 8vo. ix, 140p. Illustrated by Clare Leighton with 16 lovely tipped-in woodcuts. Red cloth with gilt spine titles and gilt facsimile of Wilder's signature on the upper cover. Signed and dated by Clare Leighton January 30, 1930. And with..... More
New York: Longmans, Green, 1933. First American edition. Oblong folio (15 1/4"). Illustrated by Clare Leighton with full-page wood engravings, one for each month. Bound in black cloth with gilt titles on spine and upper cover and with gilt vignette of farmer on cover, pattern paper endpapers by Leighton. Clare..... More
New York: Longmans, Green, 1933. First American edition. Oblong folio. Black cloth with gilt titles and cover vignette, illustrated endpapers. Illustrated by Clare Leighton with full-page wood engravings, one for each month. Bound in black cloth with gilt titles on spine and upper cover and with gilt vignette of farmer..... More
San Francisco: Book Club of California, 1976. Limited to 500 copies SIGNED BY CLARE LEIGHTON. Unpaged. Gray cloth with titles in orange on upper cover. Includes bibliography of Leighton's works. More
n.p. n.d. Pencil signed 8 x 10" unfinished sketch in a simple matt of a three-person family. The figures are outlined in charcoal and colored. More
London: Ivor Nicholson & Watson, Ltd, 1934. First edition. This would be a "special" edition as most copies were bound in printed paper-covered boards. Oblong quarto. Unpaged (32p). Every page illustrated by Clare Leighton and highlighted in pink or aqua, the text in script. Bound in flexible maroon leather with..... More
Boston & New York: Houghton, Mifflin, 1923. No. 224 of 500 copies for America (total edition 1000). 31p. Printed on handmade paper and illustrated by Evelyn Paul with 11 tipped-in color plates. Bound in gilt-titled gray cloth over blue Holland boards. More
Paris: Marcus, 1956. MX 5. Square 4to. Unpaged. [26p.] Illustrated by Felix Lorioux with text drawings and 11 brilliant full-page color plates. Bound in publisher's color-printed glazed boards with illustrated endpapers. More
