New York: Purgatory Pie Press, 1983. No. 129 of 200 copies. Set of 12 postcards. Each card signed by the creator and hand-numbered and signed by Dikko Faust. Cards printed on various papers, including one on "genuine WWII leatherette", in various graphic techniques. Housed in gray cardstock printed portfolio secured..... More
n.p. Cuckoo Hill Press, (1986). A gathering of 28 small chap-books or samples from 28 private presses plus the overall title chap-book. Housed in a cloth slipcase with paper title label. More
London: The Cresset Press, 1930. Limited to 350 copies on hand-made paper, this no. 225 (total edition 353). Printed by Geroge W. Jones at "The Sign of the Dolphin" Folio. xxiii (i), 133p., colophon. Illustrated by John Nash with a full-page decorated title page and a large opening to each..... More
Ditchling: St. Dominic's Press, 1926. No. 79 of 480 copies. (vi) 69p. Illustrated with five wood engravings by David Jones, and 12 others by Desmond Chute, Harold Purney, Joseph Cribb, Hilary Pepler and John Beedham. Bound in quarter black cloth with patterned paper boards. Spare paper cover label tipped in..... More
North Hills, PA: Bird & Bull Press, 1982. No. 13 of 240 copies. Unpaged. 22p, colophon. Illustrated by William Osborne. Printed with Van Dijck type on Dard Hunter's Lime Rock Paper. Bound in gilt-titled quarter vellum over illustrated paper-covered boards. Prospectus laid in. More
Lincoln, MA: The Penmaen Press, (1981). Limited to 1000 copies. (vi), 13p. Designed and printed by Michael McCurdy and illustrated by him with a wood engraving on the title page. Bound in gilt-tiled green cloth. More
Berkshire: The Golden Cockerel Press, 1928. No. 214 of 375 copies. viii, 68p. Illustrated with wood engravings by Robert Gibbings. Edited by R. Ellis Roberts. Bound in publisher's gilt-titled parchment spine over marbled paper boards. Chanticleer 58. More
Westminster: The Beaumont Press, (1923). Limited to 390 copies, this no. 90. 64p. Illustrated with title-page and 13 other decorations by Randolph Schwabe. Bound with cloth spine gilt and pattern paper boards. Beaumont. The First Score. No. 17. More
Council Bluffs, IA: The Yellow Barn Press, (1993). No. 168 of 175 copies. (vi), 17p. Title page in black and red on Rives paper. Bound in quarter green cloth over marbled boards, paper spine label. Prospectus laid in. More
New York: Limited Editions Club, 1961. No. 454 of 1500 copies signed by T. M. Cleland. 8vo. 121p. Designed and illustrated by T. M. Cleland including full-page color plates. Bound in full brocade with overall clover design, black leather spine label gilt. More
Newbury Berkshire: The Invicta Press, 1967. No. 22 of 40 on Glastonbury for distribution to the P L A Society of Private Printers (total edition 100). (vi), 9p. Bound in string-tied blue wrappers with title on upper cover. More
London: The Fanfrolico Press, [1929]. No. 7 of 30 copies in full vellum. (Total edition of 500). Quarto. xxiv, 163p. Translated by Jack Lindsay and illustrated with wood cuts by Lionel Ellis. Introduction by Edward Hutton. Bound in full green dyed parchment vellum over beveled boards with gilt spine title..... More
Ditchling: Saint Dominic's Press, 1929. Variant Issue limited to 500 copies on machine paper. Folio. (viii), 41p, colophon. Illustrated with wood engravings cut by Philip Hagreen. Bound in quarter black cloth over gray boards with paper cover title label. More
Harvington: The Weseley Hills Press, 1998. No. 1 of 12 numbered copies. Four leaves printed on Wookey Hole hand-made paper. Adorned with two hand-colored decorated initials highlighted in gilt and two other hand-colored decorations. Bound in ribbon-tied wrappers with wraparound paper jacket with paper title label. More
Warwickshire: The Celandine Press, (1985). No. 101 of 300 copies. 30p. Printed on Hahnemuhle mould-made paper. Illustrated with three tipped-in reproductions of painting by Paul Nash. Bound in gilt-titled quarter black cloth over marbled boards. More
Ditchling: Saint Dominic's Press, 1918. Folio. (iv), 24p., (iv, ads). With three wood engravings by Eric Gill, including the title page imprint in red. Bound in quarter linen over gray boards with no exterior titles. Gill No. 366. More
New York: The Inkwell Press, 1994. Limited to 100 copies signed by Vincent Torre, this no. 37. Oblong quarto. (viii), 93p. Text printed in black over alternating peach or light green backgrounds with decorative borders, with 16 fulll-page illustrations printed in color from wood blocks. Hand bound with black-titled blue..... More
Omaha: The Buttonmaker Press, 1986. No. 145 of 150 copies signed by John DePol. Unpaged. 42p. Illustrated with original wood engravings by John DePol. Bound in rust cloth with paper label that wraps around the upper cover to the spine. More
West Yorkshire: Fleece Press, (1986). First edition. Limited to 200 copies, this no. 24, on hand-made Barcham Green Sandwich paper. Folio. Unpaged. Illustrated from the original wood-engraved blocks: frontispiece, head- and tail-piece and 15 full-page engravings. Bound in Smith Settle in quarter green gilt-titled morocco with pattern paste paper sides..... More
Ditchling: Saint Dominic's Press, 1924. (vi), 24p. Illustrated with wood engravings by H. Pepler and David Jones. In sewn brown wrappers, the upper cover with red titles and and large wood engraving. More
Ditchling: Saint Dominic's Press, 1924. (vi), 24p. Illustrated with wood engravings by H. Pepler and David Jones. In sewn brown wrappers, the upper cover with red titles and and large wood engraving. More
San Francisco: The Windsor Press, 1927. No. 70 of 200 copies. Unpaged. 38p. Beautifully printed by the Brothers Johnson in black, blue and red. Illustrated by Julian A. Links with two large hand-colored blocks. Bound in yapped vellum with gilt fleur-de-lis on upper cover. More
Weimar: The Cranach Press, (1927). No. 105 of 225 copies (Nos. 201 to 225 were not for sale). There was also a German edition and a French edition. Folio. 116p. Printed on Maillol-Kessler paper hand-made from pure hemp fibre and linen, and sold by Emery Walker. Eric Gill designed and..... More
New York: Random House, 1930. Edition limited to 390 copies, this no. 274. Signed by Vojtech Preissig. Folio (15 1/2"). 4 blank leaves, 28 pages, 4 blank leaves. Designed, illustrated and printed by Vojtech Preissig on Zanders hand-made paper by the State Printing Office in Prague, Czechoslovakia, in a new..... More
The Chimaera Press, (1988). No. 46 of 100 copies signed by the artist, Ron King, and the puiblisher, Michael Hutchins. Quarto. Unpaged. 27 leaves. Illustrated with nine relief prints by Ron King. Printed in black and red on mould-made Waterford paper. Bound with black-titled vellum spine over boards, the covers..... More