London: The Golden Cockerel Press, 1953. No. 66 of 300 copies. 87p. Edited by Walter Sidney Scott. Illustrated by Lettice Sidney and hand-colored throughout in pink and blue. Bound in blue and pink cloth with gilt spine titles and gilt portraits on the upper cover. More

Bloomington: Indiana University Press, 1954. Limited to 1550 copies. Designed by Bruce Rogers, this no. 333. x, 121p. + 8 plates. Illustrated by Franklin Booth and Bruce Rogers. Small 4to. Red cloth over decorated boards, t.e.g. More

n.p. Ploughmans Parrot Press, 1999. No. 236 of 280 copies. 153p, colophon. Introduction by Alun Howkins. Illustrated with wood engravigs by Harry Brockway, Anthony Christmas, David Gentleman. Miriam Macgregor, Howard Phipps, Peter Reddick, and George Tute. Bound in quarter gilt-titled green cloth over illustrated paper-covered pattern boards. More

Boston: Merrymount Press, 1922. 500 copies printed for W. K. Bixby by D. B. Updike. 12mo. Unpaged. [26p], colophon. Printed in red and black with rubricated initials. Bound in gilt-titled quarter black cloth over colorful patterned paper boards. Inscribed New Years greeting to Mr. + Mrs. T. O. Perry from..... More

Berkshire: The Golden Cockerel Press, 1932. No. 131 of 350 copies. viii, 278p. Illustrated by Denis Tegetmeier with seven copperplate engravings, Bound in full tan buckram with red spine label gilt, t.e.g. Press Bibliography no. 83. More

Westminster: The Beaumont Press, (1926). No. 7 of 80 copies on parchment vellum (total edition 390). 125p. Title page with round engraving in color by Randolph Schwabe. Typography and binding arranged and produced by Cyril William Beaumont. Cover designed by Claudia Guercio. Bound in gilt-titled quarter vellum over parchment boards..... More

London: Privately printed for Sir William Russell Flint by Charles Sksilton1, 1969. No. 211 of 450 copies signed by W. Russell Flint. Folio. 130p. With 60 illustrations & devices in black and white. Printed throughout with the running heads and initials in red, blue and black. The printing layout is..... More

London: Privately printed for Sir William Russell Flint at the Stanbrook Abbey Press, 1968. No. 140 of 215 copies signed by W. Russell Flint (total edition 275). Folio. 113p. Illustrated by W. Russell Flint's drawings in collotype, the first two in full color. Printed 0n Hodgkinson's Wookey Hole Mill handmade..... More

London: The Primrose Academy, (1997). No. 10 of 135 copies designed and printed by Sebastisn Carter at the Rampat Lions Press, with an additional color wood engraving signed in pencil by the artist and laid in. Autobiographical note by the artist in English and Russian with 25 engravings printed on..... More

Los Angeles: The Bieler Press, 1992. No. 66 of 200 copies signed by Gallo and Schanilec. Unpaged. [21p]. Designed and printed by Lange on English mouldmade paper. Title page four-color plexiglass color engraving by Gaylord Schanilec. Bound in charcoal wrappers with title on upper cover. Gaylord Schanilec's first color engraving..... More

Wiltshire: Libanus Press, 1987. No. 15 of 50 copies with an extra suite of the prints on Japanese hand-made paper (total edition 300 copies). 8vo. 31p. Illustrated by Robert Gibbings with vignette wood engravings, some printed from the original blocks. Bound in silver-titled black quarter morocco over pattern paper boards..... More

Ditchling: Saint Dominic's Press, 1923. 12mo. 14p. Upper cover and title page wood engraving by David Jones, wood engraving of the Money-changers by Eric Gill. Bound in original sewn gray wrappers. Gill No. 9. More

Iowa City: The Stone Wall Press, (1964). No. 223 of 250 copies. Oblong format. 20p., colophon. Preface by Richmond Lattimore. Illustrated with four wood engravings by John Roy, each with tissue guard. Bound in gilt-titled plain blue boards. More