Newton, Wales: 1987-1990. No. 122 of 400 sets. Complete set of 12 booklets each containing one poem with an accompanying wood engraving. Each hand sewn in card cover with printed wrappers in various colors. Housed in a tan solander box with paper spine label and gilt design wrapping around the..... More
Gloucestershire: Whittington Press, (1988). 300 copies signed by Frank Berry. (vi) 21p. Illustrated from tipped-in photos. Bound in string-tied printed wrappers. Whittington 96. More
Stand on the Green: The Fulcrum Press, [1929[. No. 165 of 220 copies. 12mo. Unpaged. 8 pages including the title and colophon. Illustrated with wood engravings by Lynton Lamb. Bound in pattern paper boards with paper cover label;. Ridler p. 129, no. 1. More
London: Trianon Press, 1973. First edition thus, limited to 808 copies on Arches paper. Folio. Color facsimile reproduction of the illuminated pages by the collotype and stencil process. Gilt-titled morocco spine with marbled boards. More
London: The Trianon Press for the William Blake Trust, 1972. Of a total edition of 518, this copy J of 18 copies lettered A to R hors commerce. Three volumes folio (17"). Printed on Arches pure rag paper, the designs reproduced in striking hand-stenciled collotype, the text separately printed and..... More
Chicago: J. Philip O'Hara in association with the Trianon Press, Paris, 1972. First trade edition. 4to. A facsimile in black and white with 16 pages reproduced in full color. Gilt-titled blue cloth. Introduction and commentary by Sir Geoffrey Keynes. More
Los Angeles: Dawson's Book Shop, 1975. 1 of 70 copies with an original issue of the press in an envelope inside the back cover - this with Vol. 1, No. 6. (Total edition 132 copies). 19p, colophon. Illustrated. Bound in gilt-titled quarter black cloth over pale green illustrated boards. More
London: The Beaumont Press, 1930. No. 321 of 324 copies. Twenty-fifth book of the press. 54p. The cover, title-page, wood cut illustrations and decorations designed by Randolph Schwabe. Typography and binding arranged and the book produced by Cyril William Beaumont. Bound in gilt-titled quarter linen over marbled boards. More
London and Somerset: Acorn Press and Exmoor Press, (1983). New revised edition. No. 181 of 350 copies signed by the author. 126p, colophon. Illustrated with wood-engravings by Hellmuth Weissenborn. Bound in full linen cloth with paper spine and cover labels. More
Oxford: Private Press of H. Daniel, 1902. No. 47 of 130 copies. 12mo. (iv) 68p. (viii). In the original blue-gray wrappers and bound by Zaehnsdorf in full red crushed morocco with silk endpapers, t.e.g., the spine with vertical gilt titles, the covers with double-ruled borders and large panels of densely..... More
Middlesex: The Raven Press, 1931. Limited to 274 copies, this no. 135. 8vo. 34p. Illustrated by Horace Walter Bray with wood-engravings, five full-page in black and tan, and many head- and tail-pieces and initials in multi colors. Bound in quarter vellum over marbled boards, t.e.g., gilt spine titles and gilt..... More
Oxfordshire: Paulinus Press, 1986. No. 27 of 50 copies signed by the author and engraver, and with an extra suite of the three proofs signed in pencil by the engraver (total 250 copies). Unpaged. 10 leaves, including half-title, title and colophon. Illustrated with wood engravings by Simon Brett. Bound with..... More
Laubach and Berlin and Williamstown: Triton Verlag, Laubach and Berlin & Williams College, 2005. Second edition in English. Quarto. 453p + colophon. Printed in red and black and fully illustrated in color throughout. Bound in gilt-titled red fabric and housed in black paper-covered slipcase. A beautifully produced volume that includes..... More
New York: Grenfell Press, (1980). No. 14 of 111 copies. Printed in black with occasional red, green, and gilt on hand-made Japanese etching paper and bound by Beverly Miller of the Mindora Bindery. Illustrated by S. W. Brooke with 14 drawings, one on each verso. 8vo. Pattern cloth with paper..... More
London: Alexander Moring Limited, The De La More Press, n.d. (1919/20). No. 1 of 21 copies on real vellum. 14p. Frontispiece and decorations by I. and B. Lockyer. Bound in quarter green morocco over marbled boards with gilt title on upper cover. Number II in the Saint George Series. Ridler..... More
San Francisco: John Henry Nash for William Andrews Clark, 1927. Limited to 250 copies (this no. 126). Folio and 12mo volumes in slipcase. Frontispiece portrait in dry-point by William Wilke after a bas-relief by Helen Hall Culver. Ornamental borders around frontispiece and title page. Folio volume in gilt-titled vellum spine..... More
London: The Cresset Press, 1928. Limited to 195 copies (copy no167) on Batchelor's Kelmscott hand-made paper. Two volumes. Folio. (viii), 174p, colophon; (viii), 162p, colophon. Illustrated with ten brilliant wood engravings by Blair Hughes-Stanton (6) and Gertrude Hermes (4). Bound by Sangorski & Sutcliffe in black dyed vellum with titles..... More
Bath: The Old School Press, 1994. Nol 33 of 135 copies signed by author and artist. Folio. Unpaged. Half-title, title with engraving + 12 leaves with engravings on the rectos with poem facing, colophon. Test by Burnett, engravings by Tournour. The small engravings and texts are printed in very small..... More
Oxfordshire: The Rocket Press, 1984. No. 6 of 50 hardbound copies with additional signed prints (total edition 200). Unpaged. 10 leaves, including the colophon. Hand-set in Bell type on Zerkall mould-made paper. Illustrated by Richard Shirley Smith with two full-page prints of engravings. Bound in quarter brown cloth over marbled..... More
Oxfordshire: The Rocket Press, 1984. No. 51 of 150 copies in wrappers (total edition 200). Unpaged. 10 leaves, including the colophon. Hand-set in Bell type on Zerkall mould-made paper. Illustrated by Richard Shirley Smith with two full-page prints of engravings. Bound in sewn wrappers of marbled paper with paper cover..... More
Surrey: The Samson Press, (1934). No. 24 of 230 copies. (i), 13p. Illustrated with wood engravings by Iain Macnab. Bound in black quarter cloth over paper-covered boards in green and black from a linocut by Macnab, paper spine label, t.e.g. More
London: Nonesuch Press, 1925. Limited to 750 copies, this no. 749. Two volumes. Folio. xv [i], 299p, [v]; [viii], 301-588, [viii]. Illustrated by E. McKnight Kauffer. Gilt-titled parchment vellum spines with Italian pattern paper sides. Printed by the Westminster Press on Dutch cream laid paper with the Nonesuch watermark. "Kauffer's..... More
Bloomsbury: The Nonesuch Press, 1932. First printing, limited to 800 copies, this no. 2. 8vo. xvi, 172p. Gilt-titled leather spine with marbled boards. Dreyfus 84. More
Verona: The Officina Bodoni for The Limited Editions Club, 1954. Limited to 1500 copies signed by Giovanni Mardersteig and Bruno Bramanti, this no. 513. xxvii, 228p. Illustrated with engravings by Bruno Bramanti. 4to. Gilt-titled tan cloth spine with pattern paper boards. Translated by John Warrington. More
One of 90 deluxe copies (total edition 900). Quarto. 64p. Illustrated. Bound in quarter blue cloth over pattern paper boards with paper spine label. Along with a portfolio: "Parenthesis 16: The Portfolio" containing 12 pieces from various presses. All contained in a slipcase with pattern paper sides. More