Philadelphia: Hardwick & Mahee, (1932). Tall stapled pamphlet of 48 pages in printed wrappers probably prepared for the Hardwick & Magee exhibit at the Century of Progress World's Fair in Chicago. Illustrated in black and white. The covers in suede-like paper with embossed titles and designs. More
Grand Rapids: Robert W. Irwin Company, 1934. Tall stapled pamphlet of 24 pages in printed wrappers prepared for the Irwin exhibit at the Century of Progress World's Fair in Chicago. Illustrated in black and white. Typed letter laid in from the Irwin Comapny. More
Guilford, England: Circle Press, 1979. Limited to 300 copies signed by the artist, this no. 182. Portfolio (16") . Three-page essay by Keith Please 'The Elusive Absolute'. Text printed throughout in black and blue with the silk screen or lithographed illustrations beside and interspersed in the text. The opening act... More
Guilford, England: Circle Press, 1979. Limited to 300 copies signed by the artist and the poet, this no. 37. Portfolio (16") of colophon, title, and nine engravings, each laid in loose with tissue guard and signed by Hayter, the poetry printed on separate bifolium sheets housed in interlocking folder of... More
Guilford, England: Circle Press, 1979. Limited to 200 copies signed by the artist and the poet, this no. 70. Portfolio of colophon, title, and eight etchings and lithographs, each in a separate folder with poetry facing, and an etched lithograph signed by the artist laid in. Hound in tan silk... More
Surrey, England: Circle Press, 1979. Limited to 300 copies signed by the artist, this no. 83. Portfolio of ten embossed prints in geometric designs with central etchings, each loose in a separate folder printed with the text, each print initialed by the artist. Housed in black titled silver-gray silk in... More
Surrey, England: Circle Press, 1979. Limited to 300 copies signed by the poet and the artist, this no. 258. A portfolio (15 1/2"). with the entire contents laid in loose. Frontispiece screen print signed by the artist in pencil, three screen prints in their individual folders initialed by the artist... More
London: John Murray, 1819. Early collected edition. Three volumes. xv, 479p; (iv), 491p, (ii); viii, 330p, (ii).69p. Bound in period full medium brown straight grain morocco, a.e.g., the spines in five panels with gilt titles and elaborate decoration in the panels and on the wide bands. Each volume with a.... More
Edinburgh: Archibald Constable and Co. 1819. Twelfth Edition. (vi), 433p. Bound in full scarlet straight grain morocco, a.e.g., the spine with gilt titles and extensive decoration, the covers with decorative rolled gilt frames with cornerpieces in blind. With an accomplished and detailed fore-edge painting of Loch Katrine by the "Dover... More
Surrey, England: Circle Press, (1978). Second Circle Press Edition. Limited to 250 copies, this no. 135 initialed by Ronald King. Elephant folio. xi, 57p, colophon. Illustrated with 14 original full-page screen images by Ronald King, and with a newly produced original screen-print in a separate folder containing a specially written... More
London: Gowan's & Gray, 1908. 12mo. 73p. A gathering of pictures of Van Dyck's paintings. A painted vellum binding over beveled boards, the upper cover elaborately painted in colors and gilt with titles and large central device, floral pattern endpapers. With the ticket of Giuseppe Giannini, Firenze (Florence. An excellent... More
Paris: Ant. Aug. Renouard, 1803. Small 8vo. (ii), 296p, (ii, contents). Illustrated with 20 engraved plates, each with tissue guard. Bound in period leather with marbled endpapers, a.e.g., the spine with gilt titles with rules and small ornaments. With a FORE-EDGE painting of Noah's Ark with the procession of the... More
New York: Brentanos, n.d. [c. 1906]. Two volumes. xxv (iii), 172p: (viii), 173-394p. Two mezzotint portrait frontispieces, 20 engraved plates. Bound by Trow in full red crushed morocco with marbled endpapers, t.e.g. the spine with gilt titles and panel ornaments, the covers with large central device and large cornerpieces... More
London: Longmans, Green, and Co. 1893. No. 72 of 150 large paper copies. Quarto. xiv, (ii), 337p. Illustrated by L. Bogle, Lucien Davis, H. J. Ford, C. H. M. Kerr, and Lancelot Speed. Bound by Morrell in half dark green calf with cloth sides and marbled endpapers, t.e.g., the spine... More
London: T. Heptinstall. printed by C. Whittingham, 1798. 364p. Engraved title page with central engraving after Stothard. Bound in quarter black morocco with marbled sides and endpapers, the spine with gilt title and decorated panels. An early Whittingham printing. More
New York: Macmillan and Co. 1892. Third edition thus, revised and corrected throughout (same as the London edition). Five volumes. English translation by B. Jowett with Analyses and Introductions. Uniformly bound in quarter black leather with marbled sides and endpapers, t.e.g., the spines with gilt titles and a series on... More
![THE PLAYS OF WILLIAM SHAKESPEARE... [with] A HISTORY OF THE STAGE, AND A LIFE OF SHAKESPEARE BY ALEXANDER CHALMERS. William Shakespeare.](/pictures/thumb/21521.JPG?v=1531418773)
London: Printed for Longman, Rivingtons, Hatchard, &c, 1856. "New Edition" Eight volumes. Printed from the Text of the Corrected copies Left by the Late George Steevens and Edmond Malone. Bound by Bayntun in quarter red straight grain morocco with cloth sides and marbled endpapers, t.e.g., the spines with green and... More
London: Smith, Elder, & Co. 1899-1900. "The Hawthorne Edition" Seven volumes. Bound in half scarlet crushed morocco with pattern paper sides and endpapers, t.e.g., the spines in six panels with gilt titles and panel ornaments. More
London: Printed by A. C. for Francis Eglesfield, 1673. Fifth Edition, probably the third Leybourn edition. (xxiv), 312p, 224p, (clxiv, Canon Triangulorum), (ii), (ii, ads). Half-title and engraved title. Illustrated throughout with diagrams, two folding plates and a complete and intact volvelle. Bound in later paneled calf with white lather... More
Paris and London: XXe Siecle and Zwemmer, (1959). No. 441 of 900 copies. Small oblong quarto. 57p. Illustrated by Georges Braque with eight full-page water colors printed by Daniel Jacomet. Bound in white cloth, the upper cover with titles and a Braque design in three colors. More
London: The Nonesuch Press, 1931. Limited to 925 copies for England and 525 for the U.S. (this no. 1281). Quarto. 925p. Bound in full niger morocco with marbled endpapers and cloth reinforced inner joints, gilt spine titles and double rules around the covers, t.e.g., bottom and fore-edge untrimmed. Printed by... More
Leipzig: Bernard Tauchnitz, 1882. "Copyright Edition" Small 8vo. 287p. In a lovely embossed binding of full calf over beveled boards with pattern paper end sheets, the spine in five panels with gilt titles and panel ornaments, the covers embossed, the upper cover heavily so featuring a central music lyre with... More
Edinburgh: Smith, Edler, & Co. 1879. xii, 323p. Illustrated by the author, Mrs. Butler, George Du Maurier, John Collier, H. Furniss, G. G. Kilburne, M. Fitzgerald, and J. P. Atkinson. Every page with a single line border with corner pieces. Bound by Bayntun in Half golden tan crushed morocco with... More
![STUDIES IN THE FIRST FOLIO [by members of the Shakespeare Association]. Israel Gollancz, ed.](/pictures/thumb/21514.JPG?v=1531418760)
London: Oxford University Press, 1924. First edition. xxxiv, (ii), 182p. Illustrated with 7 full-page figures and 44 (of 47) plates, apparently bound so as there is no evidence of any having been removed. Bound in Oxford's blue cloth with spine titles in gilt. Contributors: M. H. Spielmann, J. Dover Wilson... More
London: Thornton Butterworth Limited, n.d. 189p. Illustrated by Jean de Bosschere on every verso with text on the facing rectos, each page with large illustrated borders in various colors. Bound in publisher's gray boards with titles on spine and upper cover in brown. A scarce de Bosschere title with the... More